An American Tail

Animated / Family

1986 / 80 minutes
RATING: 9/10

This is the immigrant experience, set to music, and seen through the eyes of a 19th century Jewish animated mouse family who decide to come to America after they’d been driven out of their Russian village by rampaging Cossack cats.

I should end the review right there; what more do you need? But I can’t help myself, because this is as brilliant as it is utterly unique! After escaping the Cossack cats, the Mousekewitz family takes a slow boat to their new land, surrounded by fellow immigrants from other countries. All of them have sad stories to share, usually involving how a cat ate their papa, or mama, or in the case of one Irish lad, his one true love (and all that was left of her was her tail!).

After each story is shared the mice join together to sing of how much better they expect it to be in their new country:

But there are no cats in America,
And the streets are paved with cheese
Oh, there are no cats in America,
So set your mind at ease!

They’re all so very hopeful, and that’s when the storm hits. Little Fievel, the Mousekewitz’s boy, is washed overboard and presumed lost, and his family is forced to continue on without him. Thankfully (I don’t think I could have taken it otherwise) Fievel has survived. He’s battered, but unbroken, and travels the rest of the way in a bottle, arriving only a short time after his family. Will he be able to find them? There are so many mice in New York! And it doesn’t help that they aren’t even looking for him.

Fievel soon discover that there are cats in America. Fortunately there are also mice here willing to fight for their freedoms. So it is, that Fievel, and unbeknownst to him, his family too, help with an audacious plan to force the cats onto a boat heading for Hong Kong. But even as they work on the same plan, Fievel and his family never quite cross paths. Fievel is making friends though, whether it’s a French pigeon helping with the construction of the Statue of Liberty, or a streetwise teen mouse who has Fievel’s back, or even a cat who loves broccoli a lot better than mouse burgers.

Cautions

There’s a lot of cats chasing mice throughout the whole story, and these cats are mean and scary. That, along with a brief counter Fievel has with some creepy cockroaches, make this fare for children ten and up.

Also, theres’s a minor character, the politician Honest John, who always seems drunk. Fortunately, he’s onscreen only briefly, and only a few times.

Conclusion

I was struck by how this had, for me, the feel of a 1940s wartime flick. Just like in those films, this celebrates America as a beacon of hope. The darkness it opposes isn’t Nazis this time, but something not too different; An American Tail was made during the Cold War, when the USSR was at its most intimidating, and it’s no coincidence that the main characters are coming from an oppressive Russia to find opportunity in America. While the Mousekewitzs discover that the streets aren’t paved with cheese – that’s too good to be true – there were opportunities in this new land that didn’t exist in the old one. An American Tail is a surprisingly nuanced celebration of the immigrant, showing that it wasn’t easy for those early settlers, whether man or mouse.

So who’d enjoy this? I suspect it’s so unique, so unusual, that excellent though it is, it might not appeal to the whole family. A Jewish Russian American mouse musical? Yup, that is odd, and maybe even weird.

But it really couldn’t be more wonderful!

Going to the Mat

Family / Drama

2004 / 92 minutes
Rating: 8/10

Jace Newfield is the "new kid" and he's blind, but what's causing him the most difficulties is his snark. He used to live in New York City but his dad's new job means now they have to live in the podunks of Utah. So, on his first day the first thing this big city kid does is alienate all his classmates by joking that they're backcountry hicks. He digs himself under even deeper with an attention-seeking drum solo that doesn't impress his music teacher, Mr. Wyatt.

Fortunately there are a couple of kids willing to overlook his rough start. Vincent "Fly" Shue tells him the only way to fit in is to be a jock, so Jace decides to try out for the wrestling team... corralling the lightweight Fly to join up too.

Jace discovers that in wrestling blind athletes can wrestle against the sighted. The only concession given is that the two athletes start with a hand on each other. Jace isn't the biggest guy, and a total newcomer to the sport, but this is the chance for him to be just an athlete, rather than "that blind guy." Sports movies are predictable so no one will be surprised to see Jace losing in the early going, and (I don't think this is giving too much away) triumphing, at least in part, in the epic slow-motion finale. But this does have a few fresh twists to keep it interesting.

Cautions

The only caution concerns how children might misunderstand the moral to this story. Jace proves he can excel on the wrestling mats, so kids might think that's how he's proven he's just as valuable as anyone else. However, that's a worldly idea – that it's what we do that makes us valuable – and it is a dangerous idea. This is the idea behind the devaluation of the unborn: the world says they are worth less than you or me because they can't do what we can: they don't have a heartbeat yet, and can't survive on their own. This "able-isn" is the basis for euthanasia too, which is kept from the able-bodied, but offered up to the disabled and elderly who are valued less because they can do less.

Christians need to share that our worth comes not from our abilities, but from our Maker. We are all valuable, because we are all made in the very Image of God (Gen. 1:27, 9:6). So our kids need to hear that Jace would be valuable whether he could wrestle or not.

Conclusion

This is a 1990s Disney channel TV movie, so I was only hoping for a family-friendly sports story. I was pleasantly surprised to get a lot more. The acting is solid, and the sighted Andrew Lawrence does a convincing job playing Jace. Wayne Brady, as Mr. Wyatt, is a sympathetic but hard-nosed mentor, who gives Jace the kick in the butt he needs. It's sweet, surprising in spots, and solid throughout: this is a fun film.